Kabaneri of the Iron Fortress the Battle of Unato Review
Review
by Richard Eisenbeis,Kabaneri of the Fe Fortress: The Battle of Unato
Hidden in their walled cities, connected to each other just through railways, the people of Japan have been fighting a losing battle against the zombie-like "kabane" for years. At present the worst has come up to pass: The central government has collapsed and an age of warlords has come. Yet in the midst of this chaos, a coalition forms to take dorsum the land lost to the kabane using steampunk weapons, armored trains, and their ultimate cloak-and-dagger weapons: the half-human, half-kabane "kabaneri." | ||||||||
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| Hidden in their walled cities, connected to each other only through railways, the people of Nihon have been fighting a losing battle against the zombie-similar "kabane" for years. Now the worst has come up to pass: The central government has collapsed and an historic period of warlords has come up. Yet in the midst of this anarchy, a coalition forms to take back the state lost to the kabane using steampunk weapons, armored trains, and their ultimate secret weapons: the half-human, half-kabane "kabaneri." | |||
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| Note: this review contains major spoilers for the Kabaneri of the Iron Fortress Tv set series. Kabaneri of the Fe Fortress: The Battle of Unato is the theatrical sequel to 2016'due south 12-episode Tv set anime, Kabaneri of the Iron Fortress. The serial ended on a cliffhanger of sorts; while our heroes managed to escape with their lives, the uppercase was destroyed and the Shogun killed, leaving the state leaderless. The Boxing of Unato therefore has the of import task of setting up the new status quo for the franchise going frontward. Picking upwards vi months later on the terminate of the serial, The Battle of Unato follows our heroes as they make their way dorsum to where they started—hoping to retake their town and make it into a paradise similar to former Japan before the kabane came. Nevertheless, getting back has proven to be no simple job. The problem is that the rail lines connecting the northern half of the land to the southern one-half have become inaccessible. With the collapse of the fundamental authorities, each station has become a country unto itself, leaving each to exist controlled by 1 warlord or some other. Luckily for our heroes, their armored railroad train makes them a powerful group in their own correct, and so they are able to enter into an uneasy alliance with three other factions to take back a previously lost station. When this task is completed, they will accept cleared a passage south towards domicile. From the get-go, information technology's easy to see that the globe has inverse drastically. With no Shogun, humanity is no longer united against the kabane, instead splitting into factions based effectually specific ideals. On the other paw, these newly minted groups are willing to risk both manpower and material to take territory back from the zombie hordes—something the old government was loathe to do. However, this doesn't hateful that everyone gets along. While each grouping in the pic is committed to taking back Unato station, each has their own set of reasons for doing so. What makes the situation even more tense is that, through the participation of the Koutetsujou and her crew, people are learning about kabaneri for the kickoff time, and their reaction is far from positive. Much similar the Koutetsujou crew in the early part of the TV series, many see niggling divergence between kabaneri and kabane, treating them like ticking time bombs at best and traitors to humanity at worst. At the center of this pulverisation keg are Mumei and Ikoma. In the time since the end of the series, the ii have become a powerful and cohesive unit. While she takes the atomic number 82 with her speed and agility, he has get the shield she always wished him to be. And while he's made no inroads on turning them both homo again as he promised, the Koutetsujou is already conveying a supply of rice plants to transplant when they render dwelling. Ikoma's promise to her has become the heart of Mumei's world after the betrayal and death of her brother. It is the guiding light that has replaced her brother's principles in her heart. Because of this, Mumei has grown closer to the Koutetsujou crew. While still stoic and no-nonsense in battle, she's even willing to partake in some girl talk with Kajika in her daily life. Of course, it's no surprise that the person she's become closest to is Ikoma, and for the first fourth dimension in her life, she finds herself harboring romantic feelings. Unfortunately, this revelation couldn't come at a worse time. Something is very incorrect with the area surrounding Unato. Both Ikoma and Mumei are quick to tire when using their kabaneri abilities and are having trouble controlling their emotions. Ikoma in particular is becoming more than and more emotionally unstable—to the point where he appears to exist more than kabane than kabaneri at times. And to brand things worse, the kabane effectually Unato are moving in odd means, suggesting an intelligence backside the horde, something the coalition forces initially dismiss every bit madness. On the other side of things is the motion picture's villain. While he gets little screen time—mayhap just five minutes or less total—he's still effective as a night reflection of our heroic duo. In many works of fiction, there are "arc words"—a prepare of words repeated throughout the series that thematically connect the characters to the story. In Kabaneri of the Iron Fortress, this is the question "What are you (human or kabane)?" It is the fundamental internal conflict of the story in which Ikoma struggles with understanding what he has go and what that means for his identity equally a person. In the second episode of the Tv serial, Ikoma reached his lowest point. After existence shunned by the survivors of the Koutetsujou and bandage out, Ikoma nonetheless saved the railroad train. However, when his friend Takumi tried to rescue him over the objections of the crew, Ikoma ignored the gesture. In his despair, he has asked the question and accepted the answer given by those on the train: he is a kabane. Notwithstanding, then Mumei appeared before him and told him the truth. He is neither man nor monster: he is a kabaneri. From then on, he is asked "What are yous?" countless times. Eventually, the question grounds him during his greatest trial and gives him the strength to maintain control because information technology forces him to answer: he is a kabaneri. With the villain of the film, we come across what happens if a kabaneri answers this question and things don't become nearly as well. When he asks his friends what he is, none say "human" nor do they simply call him by his name. Instead, they react with fearfulness and mortality, leading him to conclude once and for all that he is kabane, not man. In other words, he is what Mumei or Ikoma could accept become without various people supporting them and assertive in them. He is their dark mirror. And equally we acquire, a kabaneri who chooses the side of the kabane is potentially more unsafe than whatsoever other threat. On the visual side, the anime looks great. As with the Goggle box anime, the film reaches a new level of beauty in its closeup shots, filled with particular and dynamic color. But what actually stands out are the action scenes. This picture gives Mumei a new weapon: a steampunk Winchester with an anti-kabane bayonet on the front. Each battle she fights is basically a mixture of shooting, martial arts, and colour guard theatrics. Information technology'due south a spectacle that's a ton of fun to sentinel. The music is likewise splendid. From the listen of composer Hiroyuki Sawano (Kill la Kill, Set on on Titan, Re:CREATORS) comes an expansion to his score on the TV series that brings dorsum some old favorites and remixes others into something new. And then in that location'south the credits. Stick effectually for the credits. When thinking about Kabaneri of the Iron Fortress: The Battle of Unato, I observe myself returning to the aforementioned question: "Is this a story that had to exist told on the big screen?" The respond is no, and if anything, the stakes are lower than they were in the Television receiver serial, equally is the danger posed to our heroes. Nevertheless, that doesn't mean that it'due south a throwaway film with no lasting affect on the overall story, like many an anime film based on a TV serial. The Battle of Unato does a ton of heavy lifting. It sets a new status quo for the story while delivering a thematically relevant narrative. Moreover, it continues the development of our heroes after the climax of the TV series, with a lot of focus on the evolving relationship betwixt Ikoma and Mumei. But put, it'southward a vital part of the master story with enough crawly action to keep yous entertained throughout. |
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| Overall : B+ Story : B Animation : A Fine art : A Music : A- + Sets a new status quo for the story, heavy focus on the evolving human relationship betwixt the main pair | |||
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